Confidence - Jeremy Liebman
Jeremy Liebman
CoincidenceĀ is the debut photobook by photographer Jeremy Liebman, exploring family, memory, and ideas of home through black-and-white photography. Spanning Dallas, Texas; Brooklyn, New York; and the English countryside, the book follows three generations of the Liebman family, capturing their lives as they unfold in parallel.
After more than a decade contributing to the visual aesthetic ofĀ ApartamentoĀ magazine across 16 features, Jeremy turns his lens inward to create an intimate family portrait. The book centres on a poignant dialogue between his late father, the photographer Richard Liebman, and his young grandchildren: as they reach out to the world, Jeremyās fatherās grasp on language slowly loosens and his hold on memory slowly wanes. Somewhere between them, Jeremy finds an apertureāthe possibility that they are, momentarily, seeing the world in a similar way.
CoincidenceĀ traces this convergence through fragile fragments of domestic life. Fallen books echo the collapse of language; various faces of the homeāthe childhood home, the nursing homeāappear uncanny, promising tenderness and fullness while at times reduced to a faƧade, emptied out both literally and metaphysically. Set within the flow of Jeremyās family life, the photographs become a meditation on time and inheritance, forgetting and rememberingāon grappling with language at both its beginning and its end.
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Confidence - Jeremy Liebman
Confidence - Jeremy Liebman
Jeremy Liebman
CoincidenceĀ is the debut photobook by photographer Jeremy Liebman, exploring family, memory, and ideas of home through black-and-white photography. Spanning Dallas, Texas; Brooklyn, New York; and the English countryside, the book follows three generations of the Liebman family, capturing their lives as they unfold in parallel.
After more than a decade contributing to the visual aesthetic ofĀ ApartamentoĀ magazine across 16 features, Jeremy turns his lens inward to create an intimate family portrait. The book centres on a poignant dialogue between his late father, the photographer Richard Liebman, and his young grandchildren: as they reach out to the world, Jeremyās fatherās grasp on language slowly loosens and his hold on memory slowly wanes. Somewhere between them, Jeremy finds an apertureāthe possibility that they are, momentarily, seeing the world in a similar way.
CoincidenceĀ traces this convergence through fragile fragments of domestic life. Fallen books echo the collapse of language; various faces of the homeāthe childhood home, the nursing homeāappear uncanny, promising tenderness and fullness while at times reduced to a faƧade, emptied out both literally and metaphysically. Set within the flow of Jeremyās family life, the photographs become a meditation on time and inheritance, forgetting and rememberingāon grappling with language at both its beginning and its end.
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Jeremy Liebman
CoincidenceĀ is the debut photobook by photographer Jeremy Liebman, exploring family, memory, and ideas of home through black-and-white photography. Spanning Dallas, Texas; Brooklyn, New York; and the English countryside, the book follows three generations of the Liebman family, capturing their lives as they unfold in parallel.
After more than a decade contributing to the visual aesthetic ofĀ ApartamentoĀ magazine across 16 features, Jeremy turns his lens inward to create an intimate family portrait. The book centres on a poignant dialogue between his late father, the photographer Richard Liebman, and his young grandchildren: as they reach out to the world, Jeremyās fatherās grasp on language slowly loosens and his hold on memory slowly wanes. Somewhere between them, Jeremy finds an apertureāthe possibility that they are, momentarily, seeing the world in a similar way.
CoincidenceĀ traces this convergence through fragile fragments of domestic life. Fallen books echo the collapse of language; various faces of the homeāthe childhood home, the nursing homeāappear uncanny, promising tenderness and fullness while at times reduced to a faƧade, emptied out both literally and metaphysically. Set within the flow of Jeremyās family life, the photographs become a meditation on time and inheritance, forgetting and rememberingāon grappling with language at both its beginning and its end.











